The Frangipani Hotel

“[A] subversively clever debut collection . . . These stories–playful, angry, at times legitimately scary–demonstrate a subtlety of purpose that belies [Kupersmith’s] youth.”–The New York Times Book Review
“A series of magical, beautiful, modern stories, all based on traditional Vietnamese folktales, this is the product of a great writer who invokes the ghosts of the land that was left behind.”–San Francisco Chronicle

“[A] sparkling debut. The stories in this collection by Violet Kupersmith fuse traditional Vietnamese ghost stories with the ghost of the Vietnam War and update them as they play out for those who remained in the country and those who fled. . . . These are stories written from wildly different perspectives, and yet the ghosts feel vitally familiar. There’s a lightness of touch to these stories, which are playful and wise, an astonishing feat for a young writer who graduated from Mount Holyoke College three years ago.”–Chicago Tribune (editor’s choice)
“Violet Kupersmith has woven together culture, tradition, family, and ghosts to create a series of short stories that are as fresh as they are mesmerizing. These stories will haunt you long after the last words have drifted off the page.”–Lisa See
“In this auspicious volume, Kupersmith has reshaped and womanhandled traditional Vietnamese folktales that her grandmother told her into a wildly energetic, present-tense fusillade of short stories. . . . In perhaps the most pungent story here, a young woman who works the graveyard shift stocking shelves at Kwon’s World Grocery in suburban Houston befriends an old man she finds standing naked beside a Dumpster. His problem: He occasionally turns into a fourteen-foot python. ‘I am just a very old man who is sometimes a python, ‘ the man tells the woman. ‘But you, my child, are a creature far more complex.’ One might suspect that Kupersmith, who is working on her first novel, is that creature.”–Ben Dickinson, Elle
“[A] compelling brand of magic realism . .